Thursday, February 15, 2018

Batu Caves v2

History


Interior of Batu Caves

The limestone forming Batu Caves is said to be around 400 million years old. Some of the cave entrances were used as shelters by the indigenous Temuan / Besisi people (a tribe of Orang Asli). As early as 1860, Chinese settlers began excavating guano for fertilising their vegetable patches. However, they became famous only after the limestone hills were recorded by colonial authorities including Daly and Syers as well as American Naturalist, William Hornaday in 1878.

Batu Caves was promoted as a place of worship by K. Thamboosamy Pillai, an Indian trader. He was inspired by the ‘vel’-shaped entrance of the main cave and was inspired to dedicate a temple to Lord Muruga within the caves.

The history of Batu Caves started in 1891 when Mr. K. Thamboosamy Pillai, who also founded the Sri Maha Mariamman Temple Dhevasthanam, Kuala Lumpur, send his very close associates, Sri Thiruvengadam Pillai and Sri Kanthapa Thevar to survey for an ideal ad suitable place of worship for Lord Sri Murugan. It was in that year, that the influential descendant of Indian immigrants from Tamil Nadu, India, Mr. K. Thamboosamy Pillai installed the ‘murti’ or consecrated idol of Sri Subramaniar Swamy (Lord Murugan) in the 400 ft high Temple Cave.

The following year, the Thaipusam festival in the Tamil month of Thai (which falls in late January/early February) has been celebrated there as the annual festival of Batu Caves. Wooden steps up to the Temple Cave were built in 1920 and have since been replaced by 272 concrete steps.

In 1890, Pillai, who also founded the Sri Mahamariamman Temple, Kuala Lumpur, installed the murti (consecrated statue) of Sri Subramania Swamy in what is today known as the Temple Cave. Since 1892, the Thaipusam festival in the Tamil month of Thai (which falls in late January / early February) has been celebrated there.

Religious Site
Standing at 42.7 m (140 ft) high, the world’s tallest statue of Murugan, a Hindu deity, is located outside Batu Caves, near the city of Kuala Lumpur, Malaysia. The statue, which cost approximately 24 million rupees, is made of 1550 cubic metres of concrete, 250 tonnes of steel bars and 300 litres of gold paint brought in from neighboring Thailand.
Rising almost 100 m above the ground, the Batu Caves temple complex consists of three main caves and a few smaller ones. The biggest, referred to as Cathedral Cave or Temple Cave, has a 100 m-high ceiling and features ornate Hindu shrines. To reach it, visitors must climb a steep flight of 272 steps.

At the base of the hill are two more cave temples, Art Gallery Cave and Museum Cave, both of which are full of Hindu statues and paintings. This complex was renovated and opened as the Cave Villa in 2008. Many of the shrines relate the story of Lord Murugan’s victory over the demon Soorapadam. An audio tour is available to visitors.

The Ramayana Cave is situated to the extreme left as one faces the sheer wall of the hill. On the way to the Ramayana Cave, there is a 50-foot (15 m) tall statue of Hanuman and a temple dedicated to Hanuman, the noble monkey devotee and aide of Lord Rama. The consecration ceremony of the temple was held in November 2001.
The Ramayana Cave depicts the story of Rama in a chronicle manner along the irregular walls of the cave.

A 42.7-metre (140 ft) high statue of Lord Muruga was unveiled in January 2006, having taken 3 years to construct. It is the tallest Lord Muruga statue in the world

The Sri Maha Mariamman Temple Dhevasthanam has an interesting history. It was founded by the late Kayarohanam Pillai Thamboosamy Pillai in 1873, one of the pioneer leaders of the Indian community in colonial Malaya.

Born in 1850 in Singapore and educated at the Raffles Institution, Mr. K. Thamboosamy Pillai gained popularity and prominence through the course of his work as an interpreter and Assistant with the then senior lawyer, JG Davidson. His work took him to Kuala Lumpur, Malaya and during this course he discovered that a large number of Indians from South India had settled in a neighboring state called Selangor. Being a Hindu devotee, he decided to build a small worship house for the Hindu deity of protection known as Mariamman. He built this worship house at river bank in Selangor (where the present Bangunan Pertanian is located).

In 1875, the Kuala Lumpur railway authorities offered an alternative site for Mr. K. Thamboosamy’s worship house as they wanted an extension to their goods yard. With the permission of then Sultan Selangor, a small ‘attap’ temple was built in Jalan Bandar, Kuala Lumpur (presently known as Jalan Tun HS Lee). The Sultan of Selangor demarcated the temple land as ‘Land for the Indian Community’.

Mr. K. Thamboosamy Pillai was a visionary man. In 1888, he transformed the ‘attap’ temple into a brick building with the support from the local community. People from all walks of life donated generously towards the temple building project. Mr. K. Thamboosamy Pillai became the first “Stanigar” (founder) of the Sri Maha Mariamman Temple Dhevasthanam in Malaysia.

The Sri Maha Mariamman Temple Dhevasthanam is administered by a group of learned and prominent Hindu devotees after the demise of the founder Sri K. Thamboosamy Pillai in 1902. On 5th September 1928, a religious body was established to bring all the charitable organizations and the Mariamman Temple under this fold for a proper management and control. This case was submitted to the Supreme Court through civil action in 1928. After a long deliberation, the Selangor Supreme Court established the Religious Charity known as the Sri Maha Mariamman Temple Kuala Lumpur. Based on the Court order dated 28th November 1930, the Sri Maha Mariamman Temple, Kuala Lumpur, the Sri Ganesar Temple, Old Pudu Road and Sri Subramaniaswamy Temple Batu Caves came under the administration of the Board of Management of the Sri Maha Mariamman Temple Dhevasthanam.

The Malay Cultural Village

33A Jalan Petaling,
Kawasan Perindustrian Larkin,
80350 Johor Bahru, Johor
Malaysia

GPS: 1°30’34.9848”N 103°44’40.1028”E

Website
www.malaycv.com

email: 
sales@malaycv.com
tel:  +607-238 7377
fax: +607-238 8377
tel: 012-769 4208
Facebook:
The Malay Cultural Village Sdn Bhd
Operation Hours:
Monday - Sunday 9:00am - 5:00pm
(Booking required)



About…….
Situated nearby to Johore Bahru, this living museum depicts the heritage of the 3 major racial groups in Johore and conveniently portrays their respective lifestyle amidst in this small parcel of land in Larkin. Here, it is possible to see Johore's ethnic diversity at a glance
From the history of Malaysia and the influence in time, how 3 different races lived in harmony, we will entertain you and your guest, filling them with fun knowledge. They will get to participate and hands on in the various traditional skills, dances and even food experiences.

BATIK PAINTING LESSONS 
Batik Painting, a very interesting way to show one skills. You get to see how a piece of cloth is drawn using wax and subsequently painted using dye and water.
Batik Area

Malaysians loves to use the natural surroundings as their inspiration for their work. So are you ready to be a Malaysian Batik Artist for a day?

Our batik classes are available every day. We give you an opportunity to experiment with batik painting techniques and produce your very own batik masterpiece. Our friendly instructors will guide you all the way during the lessons and explains why it is done that way.

TEH TARIK & ROTI CANAI
Preparing the Teh Tarik has become an art form and has turned into an iconic element in the local pop-culture. Originating from Malaysia the amazing local beverage is now famous all over the world and it holds a special place in the hearts of those who enjoy it. Teh tarik is now recognized by the government as an important part of Malaysia’s food heritage and have organized several campaigns and activities to promote its practice. 
Roti Canai

Accompanying the Teh Tarik is the super tasty Roti Canai. It is a type of Indian-infuenced fatbread found in Malaysia, often sold in Mamak stalls. It is sometimes referred to as "flying bread", in English, a term that evokes the process of tossing and spinning by which it is made.

Served with Malaysian Chicken Curry, where the chicken is stewed in an onion and tomato-based sauce, favoured with ginger, garlic, chili peppers and a variety of spices, often including turmeric, cumin, coriander, cinnamon, cardamom and so on, giving it a very different curry feel compared to the other countries.

MALAYSIA TRADITIONAL DANCE
Malaysia's multi-cultural and multi-racial heritage is most prominently exhibited in its diverse music and dance forms. There are dances from the indigenous Malay, Orang Asli and different ethnic peoples to the Chinese, Indians and Portuguese settled in Malaysia.
Dance Stage
 
Here, our in house dancers will try their very effort to amuse you with their dances and music from the vast variety of Malaysian Instruments to their each style of rhythm and tune accompanied by the flow of our dancers. Our performers will perform and also try to get you to join them to dance before get together for a nice photo session enabling you to bring sweet memories back home.

Making Soap 
From the palm oil, glycerin soap is a one of the finish products. We let you see how the essential oil soap is made and also be part of making it. 
DIY SOAP
Creating a piece of soap so beautiful that you be reluctant to use it later by using M&P (Melt and Pour) method.



ENTRANCE

Malay House
'Se-la-mat Da-tang' (in Malay, Welcome) where we will greet you to visit a typical Malay house. 
  
At TMCV, we introduce a traditional Malay Kampung(Village) House for one to see inside and outside this simple house.

Mini Fruit Farm

Malaysia has been a melting pot for many races, religions and cultures. It too has been home for some 370 species of edible fruits including exotic ones to suit even the fussiest eater. 
TMCV Mini Fruit Farm shows you how these trees and plants are and if you are lucky, you see the tree and its fruits. Certain fruits are seasonal but some are processed and made into jelly, gummies, chocolates, ice-creams etc.

Rubber Tree

The Malayan rubber industry has been described as one of the greatest achievements of Western colonial enterprise. Along with tin, it formed the backbone of Malaysia’s economy, and its impact on the landscape was profound. Peninsular Malaysia is among the world’s most important rubber growing areas during those times. 

However the rubber industries have been decline due to planting of other crops, especially Oil Palm. We show you how rubber milk are collected and treated to a form where it become a raw material and can be easily transported anywhere, stored and eventually transformed to many rubber base products.

Wedding Gallery

Malaysia is made out of variety of races and religions. However, the Malay represents the biggest percentage followed by Chinese and Indian. 

In this galleria, we present to you the above 3 traditional and cultural costumed used in the respective wedding events.

Wayang Kulit

Wayang means “theatre” and kulit means “skin,” referring to the leather that is used to create the intricately carved leather figures that are pressed against a screen to create the shadow play. The puppeteer, or Tok Dalang, sits behind the screen and animates the voice and movements of all of the characters.

We enlighten you to a short explanation of the Show while giving you a look at how the show is done from the front and as well as the back of the stage.

Crystal Gallery
Crystals are formed of the earth through various natural processes. Subjected to tremendous pressure, heat, mechanical methods and chemical weathering, its inner structure begins to accurately take shape and slowly form its outer composition. 
These natural methods help the crystals retain its powerful properties, including its positive energies that are in sync with the human aura. We show you how crystals help and explain the benefits.

Pewter Casting

Pewter is a malleable metal alloy, with Asian pewters, produced mostly in Malaysia contains a higher percentage of tin, usually 97.5% tin, 1% copper, and 1.5% antimony. 
Pewter artefacts continue to be produced, mainly as decorative or specialty items. We show you why Pewter tankards are a favourite and it is sure to make your beverage taste smoother.